![]() Tom Robson Performance and the Disney Theme Park Experience “Building on an extensive body of transdisciplinary Disney scholarship, this collection brings a fresh critical perspective to the complex interactions between experiential commodities and the individuals who make meaning of them.Performance and the Disney Theme Park Experience The Tourist as Actor Edited by Jennifer A. Pages 265-265 Exemplary Disney: An Afterword (Susan Bennett).Pages 267-276 Back Matter. Pages 211-211 Disney’s Influence on the Modern Theme Park and the Codification of Colorblind Racism in the American Amusement Industry (Jill Anne Morris).Pages 213-227 It’s Good to Be Bad: Resistance, Rebellion, and Disney Villain Merchandise (Christen Mandracchia).Pages 229-246 The Park as Stage: Radical Re-Casting in Disneyland’s Social Clubs (Elizabeth Schiffler).Pages 247-264 Front Matter. D’Ambrosi).Pages 171-192 The Royal Theatre Presents: Echoes of Melodrama in the Magic Kingdom (Maria Patrice Amon).Pages 193-210 Front Matter. ![]() Pages 149-149 ‘Have to See It, Yet Boring’: Disney’s Robot Dramas Revisited (Li Cornfeld).Pages 151-170 The Search for a Great, Big, Beautiful Tomorrow: Performing Utopia with Non-Human Bodies in the Hall of Presidents (Joseph R. Bringardner).Pages 107-125 Rising in the East: Disney Rehearses Chinese Consumers at a Glocalized Shanghai Disneyland (Laura MacDonald).Pages 127-148 Front Matter. Kokai).Pages 87-106 Disney-Fying Dixie: Queering the ‘Laughing Place’ at Splash Mountain (Chase A. Pages 85-85 The Nemofication of Nature: Animals, Artificiality, and Affect at Disney World (Jennifer A. Pages 21-21 ‘The Future Is Truly in the Past’: The Regressive Nostalgia of Tomorrowland (Tom Robson).Pages 23-42 What’s Missing in Frontierland? American Indian Culture and Indexical Absence at Walt Disney World (Victoria Pettersen Lantz).Pages 43-63 Taming the Fairy Tale: Performing Affective Medievalism in Fantasyland (Christina Gutierrez-Dennehy).Pages 65-83 Front Matter. Kokai, Tom Robson).Pages 3-20 Front Matter. ![]() Pages 1-1 You’re in the Parade! Disney as Immersive Theatre and the Tourist as Actor (Jennifer A.
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